GAMELAN GONG BERI IN BALINESE CULTURE
Keywords:
Gamelan, Gong Beri, Balinese Culture, Text, ContextAbstract
The purpose of research on Gamelan Gong Beri is to reveal the role of the existence of Gamelan Gong Beri in the context of Balinese culture. Gamelan Gong Beri has been recognized for a long time as a traditional Balinese musical instrument. However, not all Balinese recognize the role of Gamelan Gong Beri in carrying out Balinese cultural activities. The questions are : 1) Where is the Origins of Gamelan Gong Beri in Balinese Culture? 2) How is the existence of Gamelan Gong Beri in Balinese Culture?. This research was conducted using qualitative methods. The results showed that : 1) the beginning of the existence of Gamelan Gong Beri as a traditional Balinese musical instrument from Renon, Denpasar, Bali based on Blanjong inscriptions and legends in the history of Gamelan Gong Beri. 2) The existence of Gamelan Gong Beri in the activities of sustainable Balinese Culture in accompanying the Baris Cina dance performance in the traditional ceremonies in Renon, Denpasar, Bali. The implications of the research results confirm that the Gamelan Gong Beri is an artifact of historical value that has the potential to become a vital means for the preservation of Balinese culture and cultural creation if it receives attention from the community and cultural agents.
Downloads
References
Arniati, I. A. K., Atmaja, G. M. W., & Pradana, G. Y. K. (2020). Moral and Religious Values in The Geguritan Dharma Prawerti Song in Bali. International Journal of Innovation, Creativity and Change, 12(1), 432-446.
Atmaja, G. M. W., Arniati, I. A. K., & Pradana, G. Y. K. (2019). Implications of Enacment of Law Number 6 of 2014 on The Position of Villages in Bali, Indonesia. Asia Life Sciences, 28(2), 295-310.
Bakhoum, M. M., Mourad, S.A., & Hasan, M. M. (2016). Comparison of Actions and Resistances in Different Building Design Codes. Journal of Advanced Research, 7(5), 757-767. DOI: 10.1016/j.jare.2015.11.001
Bernard, H. R. (2018). Research Methods in Anthropology Qualitative and Quantitative Approaches. Lanham, Maryland : Rowman and Littlefield.
Crimeen, C., Fletcher, S. & Watts, R. (2020). Gamelan. Sandgate, Queensland : Knowledge Books and Software.
Delariviere, S. (2020). Collective Understanding-A Conceptual Defense For When Groups Should Be Regarded as a Epistemic Agents with Understanding. Avant, 11(2), 1-20.
Dopo, F., & Sukmayadi, Y. (2018). The Musical Structure and Meaning of Go Laba in the Context of People’s Life Philosophy in Ngadha Culture, Flores, East Nusa Tenggara. Harmonia: Journal of Arts Research and Education, 18(2), 172-179. DOI: http://dx.doi.org/10.15294/harmonia.v18i2.9976
Downing, S. L. (2019). Gamelan Girls : Gender, Chilhood and Politics in Balinese Music Ensembles. Urbana : University of Illinois Press.
Engel, C. (2017). Musical Instruments. Dinslaken : Anboco.
Iseminger, G. (2018). The Aesthetic Function of Art. Ithaca : Cornell University Press.
Kim, J., & Kim, J. Y. (2020). Fixation Differences in Spatial Visual Perception During Multi-sensory Stimulation. Frontiers in Psychology, 11(132), 1-10. DOI: 10.3389/fpsyg.2020.00132
Koran, M. (2020). Musical Instruments. New York : Eye Discover.
Krueger, D. W., Kent L. G., & Grimshaw, J. (2010). Acoustical and Vibrometry Analysis of a Large Balinese Gamelan Gong. The Journal of The Acoustical Society of America, 128(8): 8-13.
Pradana, G. Y. K. (2012). Diskursus Fenomena Hamil di Luar Nikah Dalam Pertunjukan Wayang Joblar. Journal of Cultural Studies, 1(1), 11-27.
Pradana, G. Y. K. (2018). Implications of Commidified Parwa Shadow Puppet Performance For Tourism in Ubud, Bali. Journal of Business on Hospitality and Tourism, 4(1), 70-79.
Pradana, G. Y. K. (2019). Sosiologi Pariwisata. Denpasar : STPBI Press.
Pradana, G. Y. K. (2021). Aplikasi Filosofi Tri Hita Karana dalam Pemberdayaan Masyarakat Tonja di Denpasar : Application of the Tri Hita Karana Philosophy in Empowering Tonja Society in Denpasar. Jurnal Abdi Masyarakat, 1(2), 61-71.
Pradana, G. Y. K. (2021). Corona in Pupuh Ginada Dasar : A Cultural Response to Crisis Situations Due To Corona Virus Pandemic. The 5th International Conference on Climate Change : Climate Actions Toward Sustainable Development Goals (MDGs), IOP Conference Series : Earth and Environmental Science, 724(1), 1-12. Surakarta : IOP Science.
Pradana, G. Y. K. (2022). Animo Dosen STPBI Dalam Gerakan Semesta Berencana Bali Resik Sampah Plastik di Karangasem. Swarna : Jurnal Pengabdian Kepada Masyarakat, 1(3), 245-255.
Pradana, G. Y. K. (2022a). Mereresik dan Penghijauan Dalam Rekognisi Perayaan Hari Ulang Tahun Kemerdekaan Republik Indonesia. Jurnal Pengabdian Mandiri, 1(6), 1101-1112.
Pradana, G. Y. K. (2023). Membangun Makna Hospitality Melalui Program Kemitraan Masyarakat Go Green Go Clean di Pura Luhur Batukaru Tabanan, Bali. Pakdemas : Jurnal Pengabdian Kepada Masyarakat, 3(1), 1-10.
Pradana, G. Y. K. (2023). The Meaning of Pancasila in the Tradition of Subak Management : A Reflection of Pancasila Values in the Balinese Venture For the Next Generation of Food Security. International Journal of Social Science and Human Research, 6(6), 3537-3543.
Pradana, G. Y. K. (2024). Peran Civitas Akademika IPBI Dalam Menjalin Makna Sosial Pada Kegiatan Beach Clean Up di Kuta. Jurnal Masyarakat Bangsa, 2(1), 77-89.
Pradana, G. Y. K. (2025). Deconstruction Powers of Relations Behind The Shadow Puppet Performance For Tourism in Ubud Village Bali. Soko Guru : Jurnal Ilmiah Pendidikan, 5(2), 226-236.
Pradana, G. Y. K., & Arcana, K. T. P. (2020). Balinese Traditional Homestay in a Sustainable Tourism Entering Millennial Era. Journal of Xi’an University of Architecture and Technology, 12(3), 4208-4217.
Pradana, G. Y. K., & Arcana, K. T. P. (2021). Hasil Pengelolaan Homestay Bercorak Budaya Tradisional Bali Ditengah Pengaruh Perkembangan Trend Millennial di Sektor Pariwisata. Jurnal Ilmiah Hospitality Management, 11(1), 1-12.
Pradana, G. Y. K., & Jayendra, P. S. (2024). Panca Maha Bhuta Service : A Health Service Innovation Based on Balinese Wisdom at the Fivelements Retreat Bali Hotel. International Journal of Humanities and Social Sciences, 14(1), 116-129.
Pradana, G. Y. K., & Parwati, K. S. M. (2017). Local-Wisdom-Based Spa Tourism in Ubud Village of Bali, Indonesia. Russian Journal of Agricultural and Socio-Economic Sciences, 8(68), 188-196.
Pradana, G. Y. K., & Parwati, K. S. M. (2017). Local-Wisdon-Based Spa Tourism in Ubud Village of Bali, Indonesia. Russian Journal of Agricultural and Socio-Economic Sciences, 8(68), 188-196.
Pradana, G. Y. K., & Ruastiti, N. M. (2022). Imitating The Emancipation of Hindu Female Characters in Balinese Wayang Legends. International Journal of Social Sciences, 5(1), 643-656.
Pradana, G. Y. K., Sanjaya, I W. K., & Wahyu, G. E. (2025). Praxis Beach Clean Up di Pantai Mertasari Dalam Rangka Dies Natalis IPB Internasional. Jurnal Pengabdian Masyarakat Mentari, 1(11), 444-460.
Pradana, G. Y. K., Semadi, I G. N., Entas, D. & Suadnyana, I W. (2025). Agrotourism Strategies in Tenganan Indigenous Environmental Stewardship : An Implementation of Community-Oriented Sustainable Tourism. Jurnal Intelek dan Cendikiawan Nusantara, 2(4), 5507-5519.
Pradana, G. Y. K., Suarka, I N., Wirawan, A. A. B., & Dhana, I N. (2016). Religious Ideology of The Tradition of The Makotek in The Era of Globalization. Electronic Journal of Cultural Studies, 9(1), 6-10.
Pradana, G. Y. K., Wijaya, I N., & Purnaya, I G. K. (2024). Representation of Cross-Cultural Relations in the Bali Agung Theater at Taman Safari & Marine Park Bali : A Discourse in Balinese Performing Arts. Mudra : Jurnal Seni Budaya, 39(3), 415-424.
Pradana, Gede Yoga Kharisma. (2018). Implications of Commodified Parwa Shadow Puppet Performance For Tourism in Ubud, Bali. Journal of Business on Hospitality and Tourism, 4(1), 70-79. DOI: http://dx.doi.org/10.22334/jbhost.v4i1.103.g111.
Rai S., I W., Sadguna, M. G.I. Sadguna, I G. A. J., & Pradana, G. Y. K. (2019). Tifa From The Land of Papua : Text and Context. Asia Life Science, 28(2), 335-354.
Rai, I W.. (1998). Balinese Gamelan Gong Beri. Denpasar : Prasasti.
Rice, T. (2016). Ethnomusicological Encounters with Music and Musicians : Essay in Honor of Robert Garfias. Milton : Taylor and Francois.
Ruastiti, N. M., & Pradana, G. Y. K. (2020). The Ideology Behind Sesandaran Dance Show in Bali. Journal of Sociology and Social Anthropology, 11(2), 78-85.
Ruastiti, N. M., Pradana, G. Y. K., Purnaya, I G. K., Parwati, K. S. M. (2018). The Royal Dinner Party Puri Anyar Kerambitan Tabanan : A Sustainable Cultural Tourism Attraction Based on Local Community. The Proceeding of The International Conference on Social Science. pp. 1448-1459. Nusa Dua : Atlantis Press.
Rucinska, Z. (2019). Social and Enactive Perspectives on Pretending. Avant, 10(3), 1-27.
Rupert, R. D. (2019). Group Minds and Natural Kinds. Avant, 10(3), 1-28.
Saepudin, A. (2015). Laras, Surupan dan Patet dalam Praktik Menabuh Gamelan Salendro. Resital, 16(1), 52-64.
Shusterman, R. (2010). Aesthetic Experience. New York : Routledge.
Sudirana, I W. 92018). Improvisation in Balinese Music : An Analytical Study of Three Different Types of Drumming in the Balinese Gamelan Gong Kebyar. Journal of Music Science, Technology and Industry, 1(1), 1-22.
Sudirana, I Wayan. (2018a). Meguru Panggul dan Meguru Kuping : The Method of Learning and Teaching Balinese Gamelan. Lekesan : Interdisciplinary Journal of Asia Pasific Arts, 1(1): 39-44.
Sudirga, I Komang. (2020). Innovation and Change in Approaches to Balinese Gamelan Composition. Malaysian Journal of Music, 9(1), 42-54.
Sukma, A.R.M.G., Untoro, H., Siswoyo, M., & Alya, N.N. (2023). Fragmen Labuhan Merapi : Pengimplementasian Folklor Ki Sapu Jagad dalam Seni Pertunjukan, Beserta Sejarah Perkembangan dan Pelestariannya (Sebuah Kajian Budaya). Arnawa, 1(1), 10-21.
Swandi, I W., Wibawa, A. P., Pradana, G. Y. K., & Suarka, I N. (2020). The Digital Comic Tantri Kamandaka : A Discovery For National Character Education. International Journal of Innovation, Creativity and Change, 13(3), 718-732.
Tabuena, C. (2020). Chord-Interval, Direct-Familiarization, Musical Instrument Digital Interface, Circle of Fifths, and Functions as Basic Piano Accompaniment Transposition Techniques. International Journal of Research Publications, 66(1), 1-11. DOI: 10.47119/ijrp1006611220201595
Yasa, I K. (2018). Angsel-Angsel dalam Gong Kebyar. Mudra : Jurnal Seni Budaya, 33(1), 85-92.
